8.18.2009

Tuesday October 13th 2009 Women Behind the Lens: A Night of Women's Film

Women Behind the Lens: A Night of Women's Film @ Anthology Film Archives
(32 Second Avenue New York, NY 10003)
Tuesday, October 13th 2009 from 6:15-8:30pm

http://newfilmmakers.com/NewFilmmakers%20Schedule%200910.htm






*still from Kim Hall's film "Uprush"


6:15pm
Eye Am
Experimental, narrative and documentary shorts made by women that deconstruct the notion of Self and Other.
Featuring the works of Naomi White, Oriana Fox, Alana Kakoyiannis, Akosua Adoma Owusu, Kim Hall, and Nait Gamez.

Curated by Victoria Kereszi
Victoria Kereszi is a photographer, filmmaker and educator living in Troy, NY. Her work celebrates the ways women represent the Self from breaking out of the margins.

See below for full program and filmmaker bios:

"The Difference" (2009) 3:36 minutes
A meditation on the experience of existing in two places inspired by Andre Aciman’s essay “Pensione Eolo.”

Bio:
Alana Kakoyiannis is a filmmaker based in New York City and Nicosia, Cyprus. Her work ranges from interview-based documentary to abstract, image-dominated experimentalism. She has worked independently to produce several short films that have been broadcast nationally and screened internationally, including Current TV, The Anthology Film Archives and the 2006 Tribeca Film Festival. Her most recent film “Cosmopolis” garnered the Grand Jury Prize for Best International Documentary in the Migr@tions Online Festival held by Radio Canada International. Originally from Pennsylvania, she earned her M.F.A from Hunter College, CUNY in Integrated Media Arts and her B.A. in Communications from Denison University. In her professional experience, she has worked with various networks including MTV, NBC and CBS as well as regional film production companies in Greece and Cyprus.
*****
"Baroness" 3:00
The Baroness Elsa von Freytag Lorignhoven (1874-1927) was a gender-bending, poetess, artist and fashionista, creating costumes from found objects including birdcages for hats, postage stamps for beauty marks, spoons for earrings and soup cans for a brassiere. She was written about by both Ezra Pound and William Carlos Williams who said he drank “pure water from her spirit.” The photographer Bernice Abbott said “The Baroness was like Jesus Christ and Shakespeare all rolled intone!”

Elsa's defiance in the wake of extreme hostility for being an artist, a rebel, a woman, and a German ex-patriot during WWI, coupled with her commitment to making art, is fascinating to me. Her will to survive is permanently linked to her art. She is as relevant now as she was in 1915 and her work continues to influence artists, writers and thinkers. My sister Molly and I read everything we could to discover more about this courageous, charismatic, resourceful, penniless Baroness. Molly wrote a song about her and we used my photographic recreations of her life in the video. The video uses the surrealist genre’s playful layering of imagery to tell several stories at once to bring Elsa - and all that she has inspired - into life.

Bio:
Naomi White grew up in Los Angeles, California before moving to New York in 1998 to pursue an MFA in photography at the School of Visual Arts. Since graduating in 2000 she has worked as a video editor, interactive producer and photographer while continuing to create and exhibit artwork. Last year Naomi exhibited The Liberator, a series of photographs, videos and installation pieces based on the work of Rene Magritte, in collaboration with the crochet-artist Olek (read the review here). Her photographs were also featured in a group show About Face: Portraiture Now curated by Paddy Johnson. This year she published a two volume book of photographs The Peggy Rice Collection of Little Red Riding Hoods and was featured in an artist series about SVA Alumni by filmmaker Hillman Curtis. Naomi is currently working on a photographic portrait series about people in Los Angeles called Driving In The Sun. She lives with her husband in Williamsburg, Brooklyn. www.naomiwhite.com
*****
"Uprush" (2009) 7:00
When Rosie returns home to discover some troubling news about her older sister, swimming with her best friend and two boys becomes the scariest thing in the world.

Bio:
Originally from Santa Cruz, CA, Kim Hall made her first documentary about low rider bicycle builders when she was 16 years old. Since then she’s worked variously as a director, cinematographer, and editor on award winning films in New York, Mexico, Texas and Canada. Her most recent film, UPRUSH, screened at the 2009 SXSW and Cinevegas film festivals. She is currently pursuing her MFA in film production at the University of Texas, Austin where she’s been nominated for a full Eastman Scholarship. www.kimhallfilms.com

*****
"Intermittent Delight" (2006) 4:20
INTERMITTENT DELIGHT explores the sexist mores of textile production in Ghana in parallel with a mid-1960s commercial aimed to instruct women on the how-to-decorate your-1960s refrigerator. The soundtrack pulls the images together with traditional Afrobeats and field recordings.

Bio:
Akosua Adoma Owusu is a conceptual installation artist and an independent film director. She has worked on production teams for HBO Films including the Sundance critically acclaimed documentary, Good Hair (2008) Executive Produced by Chris Rock. Owusu is a recent MFA graduate at California Institute of the Arts in Fine Art and Film and Video. She received her BA in Studio Art & Media Studies at the University of Virginia, during which she participated in the Distinguished Majors in Studio Art Program and was honored the first UVA Alumni Art Award. She is also an alumnus of the Berlinale Talent Campus for the Berlin International Film festival in 2008.

Her film, ME BRONI BA (my white baby), a lyrical portrait of hair salons in Kumasi, Ghana premiered at the Museum of Modern Art Documentary Fortnight and Visions du Reel Nyon International Film Festival. It won 2nd prize Best Documentary Short at the 2008 Athens International Film Festival and was officially selected in competition at prestigious film festivals including AFI/Discovery Channel SilverDocs, San Francisco, and London Film Festival among many others. Owusu, though the first baby born in Northern Virginia January 1, 1984, is of Ghanaian descent. She currently lives and works in Washington D.C.
*****
“All My Life” (2007) 20:00
Part coming-of-age story, part personal mythology. In it I recreate dance scenes from films such as Dirty Dancing, Grease, and Saturday
Night Fever with myself as the heroine. A soundtrack based on a positive affirmation self-help tape and autobiographical anecdotes tells
the story of the evolution of my choice of love objects. Through identification and embodiment I give depth to the most superficial of
characters, and I become the star of my own Hollywood movie.

Bio:
Oriana Fox is an American artist based in London. She received her BFA in Painting from Washington University in St. Louis in 2000 and went on to obtain a Masters in Fine Art from Goldsmiths College in London. Since graduating in 2003 she has shown her video and performance work to acclaim in the UK, Europe and the US. In 2007 she was an artist-in-residence at Triangle France located in Marseille. Fox works primarily in video and performance, using parody and appropriation to tackle subjects such as the self-representation of women and cinema’s role as mythmaker. www.orianafox.com
*****
"Love, Sadie"
(s16mm / rt 12:07)
- A nuanced & impressionistic look at isolation and adolescence.

Bio:
Naiti Gámez is a filmmaker willing to call anywhere "with a flexible approach to language" home. Her latest film, Love, Sadie, was awarded a Texas Filmmakers' Production Fund Grant (Austin Film Society) and was a semi-finalist at the 2008 Student Academy Awards. As a cinematographer, her film credits have screened at dozens of festivals worldwide, including Clermont-Ferrand, Tribeca, SXSW, Festival du Cinema de Paris, Woodstock Film Festival, Hampton's International Film Festival, Festival de Cine Internacional de Barcelona and Taos Talking Pictures. Her film and TV credits have aired on television networks such as Showtime, MTV/MTV2, & tuTV. Naiti has also worked at non-profit organizations in the U.S. and abroad. As a youth-media educator, she's collaborated with young people to produce videos about social issues that affect them. She holds a B.A. in Latin American Studies from Smith College, and an M.F.A. in Film Production (Cinematography concentration) from the University of Texas at Austin. www.marielita.net
*****














7:15pm (including Q&A with Filmmakers)

"Chaos/Peace"
The work in this bill explores the various ways we process the chaos within that can stem from personal relationships, societal pressure and global concerns with different approaches ranging from the conceptual to the completely absurd.

Artists include: Marianna Ellenberg, Hyung Sung, Liz Haley, Julie Perini, Cat Tyc, Victoria Fu, Virginia Valdes & Kitty Green.

Curated by Cat Tyc
Cat Tyc is a video artist/director whose work has screened in a variety of places like the Brooklyn Museum of Art, the Camac d’ Art in Paris, PDX Fest in Portland, the Kassel Experimental & Documentary Film Festival in Kassel, Germany and the High Energy Constructs gallery in Los Angeles.

5.19.2009

6/07/09 Eye Am Episode 21

Eye Am: Women Behind the Lens is a short film series showcasing women's memory and experience spanning across all genres of film and video.

EA airs @ 9:30-10:30pm the 1st Sunday of the month on...
Manhattan Neighborhood Network
Time Warner #34/ RCN #82 (in Manhattan)& Streaming Live Online at www.mnn.org (Worldwide)


* This month's Episode Features the work of EE Miller, Bernadine Mellis, Samuael Topiary, and Kathy High.


The makers:
EE Miller is an interdisciplinary conversationalist who makes video,
radio, and installation. Her current broadcasts, DEATH JEWEL RADIO, invite guests to consider funeral arts and utopia with music, sound arts and storytelling.
eemiller.wordpress.com

Bernadine Mellis' short films include BORN, THE GOLDEN PHEASANT, and FARM-IN-THE-CITY, a collaboration with EE Miller. Bernadine's father's role as lead attorney in Earth First! activist Judi Bari's civil case against the FBI prompted her to make THE FOREST FOR THE TREES, her first documentary. Bernadine also directed THE ODYSSEY, a collaborative adaptation of Homer's 24-chapter epic, made up of 24 shorts by 24 different mostly queer/trans/lady filmmakers. She is currently in production on a documentary about children of the New Left tentatively called STRUGGLE BABY. Bernadine teaches film and video in the Five Colleges. www.redbirdfilms.com











The Videos:
Farm-in-the-City
A collaboration between EE Miller and Bernadine Mellis. 8mm footage from the 1930s edited with EE Miller’s interview with Corinna Press, an artist who imagines giant possibilities, ecstatic collaboration and struggle. Screenings include MadCat Women's International Film Festival, MIX NYC, SF's The Lab, and Third Street Gallery in Philadelphia.

Gum and Tea
EE Miller began Gum and Tea as a piece for radio, but took a detour into Samuael Topiary's video laboratory where it inspired animated collages. It is a collaborative meditation on intimacy and US currency.

Samuael Topiary is a Brooklyn-based video artist and performer. Her single-channel video works have screened in many festivals including at Lincoln Center and the Walker Art Center and have been broadcast on WNET Channel 13. She has created music videos for the band Le Tigre and video designs for dance pieces by Miguel Gutierrez and David Dorfman Dance Company. Residencies include: MacDowell Colony and Media Arts Fellowship at Dance Theater Workshop. Her character, “Technopia” was the host of Shtudio Show at Chez Bushwick from 2006-07. Topiary has also curated video programs for MIX/NY and toured the US with SF's Sister Spit’s Ramblin’ Road Show in the 90's. She holds an MFA in Film/Video from Bard College and currently teaches at the School of Visual Arts. For more info: www.topiaryfilms.org

**************

KATHY HIGH is Head and Associate Professor of Video and new Media at the Department of the Arts at Rensselaer Polyechnic Institute in Troy, NY. She teaches digital video production, history and theory and has been working in the area of documentary and experimental film, video and photography for over twenty years. She produces videos and installations posing queer and feminist inquiries into areas of medicine/bio-science, science fiction, and animal/interspecies collaborations. She has also recently started the BioArts Initiative at Rensselaer, a collaboration between the Arts Department and the Center for Biotechnology and Interdisciplinary Studies.










Her Videos:
EVERYDAY PROBLEMS OF THE LIVING
2000-05 (12 part series, video, 26 min.)

Project about anxieties surrounding living and dying – a meditation on mortality. High, thinking that she might die at 45 in the year 2000, decided to “perform her death,” recording a tape around the topic each month. Her own pets also play a major role in the events that occur each month, as she projects her own fears and anxieties onto them.

SHIFTING POSITIONS
1999 (video, 28 min.)

SHIFTING POSITIONS is a semi-autographical/fictional trilogy, exploring becoming queer later in life, my father's dementia and our mid and end-of-life crises.

THE ICKY & KATHY TRILOGY
1999 (super 8 film to video, 9 min)

This trilogy is about twin sisters who “act out”. At the age when a young girl might discover her own sexuality, they explore themselves in their "games" and playtime together. In a study of adolescent sexuality, the girls engage in slightly illicit acts together.


If you are interested in hosting a screening or submitting work to Eye Am, please email eyeam@earthlink.net



1.27.2009

April 14th Eye Am Screening @ Anthology Film Archives

April 14th - 'Night of Women's Film' @ Anthology
This program will air as Episode 20 on MNN.org on Sunday May 3rd 2009






6:00pm-
Eye Am: Women Behind the Lens
A cable tv series and traveling festival showcasing women's memoir spanning across all genres of film and video.
Tonight's short films feature women confronting their identity and the notion of Other.
Featuring films by Sarah Klein, Ruth Hererra, Zulma Aguiar, Oriana Fox, & Diana Arce.
EA airs @ 9:30-10:30pm the 1st Sunday of the month on:
Manhattan Neighborhood Network
Time Warner #34/ RCN #82 (in Manhattan)& Streaming Live Online at www.mnn.org (Worldwide)
www.eyeamvideo.blogspot.com










7:00pm -
Death Jewel (Film and) Video curated by EE Miller
A cross-genre program of shorts featuring film and video gems which respond to death
with reflections on mortality, intimate and communal loss, human ritual, and violence.

Where is There Room? Sonali Gulati, Antonio Paez, & Byron Karabatsos (16mm to video, 2003)
What I Love About Dying Silas Howard (video, 2006)
Brighter Death Now Jennifer MacDonald (hand drawn animation, 2002)
Violet Akiko Hatakeyama (video, 2008)
Chapter 22 (The Odyssey) Eileen Myles (video, 2007)
Strange Miss Otis Kara Lynch (video)
The Moon’s Pyramid Venus Sobranes (super 8, 2003)
The Sky Will Save Us? Miatta Kawinzi (video, 2008)
I Remember Now, We Never Danced, I Miss You, Goodbye. Diane Bonder (16mm, 2006)












8:00pm -
Bernice Perry: Queen of Sinatraland (2008, 17 minutes)
Bernice Perry is an 83 year-old songwriter who has been producing her own public access television show for 37 years. Her life and work, inspired by Frank Sinatra has a haunting quality that forces us to ask questions about definitions of celebrity, nostalgia, and reality.
Film by Victoria Kereszi
www.victoriakereszi.net









SITTIN' ON A MILLION (2008, 26 minutes) presents these stories in all their contradictory glory, alongside vintage erotica, reenactments, and street performances asks us to consider the role of memory and imagination in creating history, and reminds us about all those ordinary, extraordinary people erased from the official record.
Film by Penny Lane & Annmarie Lanesey
www.mamefaye.com


********
Curators:
Victoria Kereszi is a photographer, filmmaker, curator, and media educator. Her video and photo portraiture explores the ways women living on the margins of society take control of their own representation.
EE Miller is an interdisciplinary conversationalist who makes video,
radio, and installation. Her current broadcasts, DEATH JEWEL RADIO, invite guests to consider funeral arts and utopia with music, sound arts and storytelling.
eemiller.wordpress.com.

11.06.2008

Eye Am Filmmakers Screen At Anthology Film Archives Tuesday November 11th~




still from Breath on The Mirror
(V. Woods & S. Friedland)



6:00PM TUESDAY November 11th, 2008
NEWFILMMAKERS WOMEN BEHIND THE LENS
Curated by Victoria Kereszi
Find full schedule at www.newfilmmakers.com/NewFilmmakers%20Schedule%200810.htm

Featured Filmmakers~
~Emily DeGruchy FRENCH LADIES (2006, 1 Minute, Video)
~Abigail Feldman THE YEAR OF THE CORRESPONDENT (2004, 10 Minutes, 2004)
~Sarah Friedland & Vanessa Woods BREATH ON THE MIRROR (2008, 10 Minutes, Video)
~Oriana Fox OUR BODIES, OURSELVES (2003, 2 Minutes, Video)
~Victoria Kereszi THE DEPARTURE (2008, 4 Minutes, Video)
~Lili White PROVIDING NOURISHMENT (1996, 3 Minutes, Video)
~Vanessa Woods FIVE CENTS A PEEK (2007, 7 Minutes, Video)
~Caroline Koebel HOLE OR SPACE (2006, 3 Minutes, Video)
~Sophie Peer TURNED ON (2006, 6 Minutes, Video)
~Oriana Fox TALE OF NARCISSUS (2003, 5 Minutes, Video)
~Penny Lane & Jessica Bardsley THE WREN (2008, 4 Minutes, Video)
~Hilda Daniel NATURE NATURE (2005, 2 Minutes, Video)
~Devorah Hill I LOVE YOU (2006, 3 Minutes, Video)



still from I love You
(D. Hill)





Please spread the word and join us to celebrate women's film!

10.02.2008

Sunday October 5th ~ Episode 19

Sunday October 5th 2008 8:30-9:30pm

The works, the makers:

Out of Reach, 2004 EE Miller with Samuael Topiary
1967 super 8 safari footage from the archives of Aimee Louise Worms
Hirshberg meets Millicent's "The Terrible Zoo".
Flights of Fancy 1, 2003
The first of eleven shorts about the uses of history. Filmmaker Paul
Grandsard recalls his grandmother, Aimee Louise Worms Hirshberg,
featuring footage found twenty years after her death.

EE Miller creates across disciplines in conversation with the dead and the living. Recent collaborations include Cash Free, a video with Bernadine Mellis and Colony Collapse Radio with Ryder Cooley.
*****
nature nature, 2005
Based on haiku by Simon F. Baron (1970-2006), nature nature portrays a very real, present and no less natural underside of existence that remains outside the embrace of those who declare a “reverence for nature.” A graphic image of the aftermath of “cutting” (self-mutilation) is softened, prettified then bloodied again with rudimentary, unreal digital effects; a mechanical songbird on the floor and in a poem; a dash of Hitchcock and the brothers Grimm; Marianne Faithful sings.

Hilda Daniel is a multi-media artist based in New York City (having immigrated from Singapore and Los Angeles). She did her undergraduate, graduate and post-graduate studies at UCLA and New York University and is the recipient of competitive fellowship, academic and art awards. Her work has been exhibited in solo and group exhibitions and festivals in New York, London, Berlin and other cities in Europe, the US and Mexico; included in internet festivals and projects, most recently as a finalist in the SXSWclick film festival; in international print projects; broadcast on cable television; and reviewed in the New York Times, Performance Art Journal, New Art Examiner, artnet.com and other publications.
*****
Sea Lion, 2007
This hand processed Super 8 film marvels at the beauty of the movement of the sea lion. It reflects the fascination of the filmmaker's two-year-old son with this animal new to his world.

Caroline Koebel is a filmmaker who has exhibited in the US at Anthology Film Archives, Los Angeles Film Forum, Other Cinema, and elsewhere, and internationally, including in Brazil, Cuba, Ireland, Thailand, and Poland. Transmissions of conceptual art, feminist film and literary theory, and punk d.i.y. ethos guide her in work that embraces pleasure and desire as tactics to displace authoritarianism, commodity culture, and the endangerment of subjective experience. Drawing breath from experimental film pioneers such as Germaine Dulac and Maya Deren, Koebel situates writing and curating firmly within her creative practice, and she has recently published the catalogue essay "Color the Shadow" on Carolee Schneemann. She holds a BA in Film Studies from UC Berkeley and an MFA in Visual Arts from UCSD, and teaches in the Department of Media Study at the University at Buffalo. She lives in Brooklyn.
Sea Lion
*****
The Wren, 2007
A little thing about certain qualities shared by Emily Dickinson and
Troglodytes troglodytes (the winter wren). Made by two women on
opposite coasts searching for elusive things.

Penny Lane is an independent filmmaker and video artist living in Troy, NY. She is currently cultivating her birdwatching hobby while
teaching video at Williams College. Jessica Bardsley is a video artist who recently relocated to New York City after graduating from the New College of Florida. She is presently working on combining her interests in independent film and activism.
*****
Untitled #1, 2008
In the spirit of collage filmmaking, Untitled #1 (from the series Earth People 2507) is an enchanting mediation on an ancient species from the future. Bustamante uses found footage, cell phone video and crude chroma-key effects to create a coherent and petite spell. The hilarious rendition of buffalos made from a "herd" of toy poodles tweaks at our understanding of the symbolic world.

Nao Bustamante is an internationally known performance and video artist originating from the San Joaquin Valley of California. Her (often precarious) work encompasses performance art, sculpture, installation and video. Bustamante has presented in Galleries, Museums, Universities and underground sites all around the world. She has exhibited, among other locales, at the Institute of Contemporary Arts in London, the San Francisco Museum of Modern Arts, and the Kiasma Museum of Helsinki. In 2001 she received the prestigious Anonymous Was a Woman fellowship and in 2007 named a New York Foundation for the Arts Fellow, as well as a Lambent Fellow. Currently Bustamante holds the position of Associate Professor of New Media and Live Art at Rensselaer Polytechnic Institute.

Animal Films is an ongoing project of short films produced with various animals and Kathy High imaging and articulating their fears and fantasies. 2002-04
-The Big Push, collaboration with Push Cat.
Working with facilitator, Kathy High, this is the first video made by Push, the cat. In this project Push continues his battle of the species.-Miss Piggie
Momentarily inhabiting a pig’s body -Fresh Kill A citizen performs a ritual of burying road kill. -Lily's Nightmare, collaboration with Lily Dog.
Working with facilitator, Kathy High, this is the first video made by Lily, the dog. In this project her fears of lightning storms are explored. -Voices from the Other Side, collaboration with Ernie Cat. Working with facilitator, Kathy High, this is the second video made by Ernie, the cat. In this sensual meditation Ernie explores the ways cats speak to each other about dying: thoughts are exchanged from those still living to the "other side" through a strange language of cat howling. It is a language of pre-death, preparing for dying, of the aging. -Soft Science: Embracing Animal, What is our animal nature? Embracing Animal is a multi-media/ inter-species ersatz scientific installation of exchanges between people and animals. This video is documentation of the installation showing animal/people transformations – werewolves, vampires, and the shifting space between human and beast.-Everyday Problems of the Living, A year-long project about anxieties surrounding living and dying – a meditation on mortality. High, thinking that she might die at 45 in the year 2000, decided to "perform her death," recording absurd tapes around the topic each month. Her own pet animals humorously thwart her attempts to “die”, as she projects her own fears and anxieties onto them. (This video has been released after a waiting period of five years. It was previously concealed due to superstitious reasons.).
-Rat Play Recordings of daily play time with HLA-B27 transgenic rats Matilda, Tara and Star. This play was part of their healing ritual.

Kathy High is a media artist, curator, and teacher living and working in New York state. Her single-channel videotapes include both documentary and experimental forms, and touch upon topics including body politics, science fiction, and the paranormal. Her work frequently incorporates archival footage, interviews and fictional footage, and a sense of irony.
*****
Untitled (turtle), 2008
Depicts a captive snake-necked turtle swimming in a zoo aquarium. The viewer hears the sound of splashing as though underwater. The sounds and movements are slowed down, evoking the reptile;s un-natural life cycle slowly played out in a man-made environment. The work is intended to loop.
Untitled (goat), 2008
Set in a post-apocalyptic landscape, a petting zoo goat morphs into the scene while an omnious presence off camera paces nearby.

Allison Hunter is a visual artist who over the past twenty years has worked in photography, performance, video, painting, drawing, and installation. Hunter earned her first MFA at the Cantonal Art School of Lausanne, Switzerland (1990), and her second MFA at RPI, New York (1997). Hunter participated in international video and sculpture art residencies in europe and Canada. Hunter's photographs are collected by museums in New York and texas and numerous private collections.
******
Le Lapin, 1998
A whimsical, drunken journey through a small French village in the foothills of the Pyrenees with an adult human size rabbit. (With a cameo appearance by art rock legend Kevin Ayers of Soft Machine and original score by Mary Hansen (RIP) and Laetitia Sadier of Stereolab and John McEntire

Dara Greenwald is a media artist and PhD Candidate in the Electronic Art Department at RPI. Her collaborative work often takes the form of video, writing, and cultural organizing around themes of social movement histories and presents. She co-curated the exhibit Signs of Change which opens at Exit Art, Sept 20, 2008. She worked at the Video Data Bank from 1998-2005 and taught DIY exhibition at the School of the Art Institute of Chicago 2003-2005.
*****
Primate Cinema is a series of video experiments that translate primate social dramas for human audiences. The first experiment, Baboons as Friends, is a two channel video installation juxtaposing field footage of baboons with a reenactment by human actors, shot in film noir style. A tale of lust, jealousy, sex, and violence transpires simultaneously in human and nonhuman worlds. Beastly males, instinctively attracted to a femme fatale, fight to win her, but most are doomed to fail. The story of sexual selection is presented across species, the dark genre of film noir re-mapping the savannah to the urban jungle.

Rachel Mayeri is a Los Angeles-based artist working at the intersection of science and art. Her videos, installations, and writing projects explore topics ranging from the history of special effects to the human animal. She programmed a DVD of videos by artists and scientists entitled Soft Science www.soft-science.org, which is distributed by Video Data Bank. Shown at The Getty Museum, ZKM in Karlsruhe, and P.S.1/MoMA in New York, Mayeri is a guest curator of the Museum of Jurassic Technology and Associate Professor of Media Studies at Harvey Mudd College.
*****
Wee Dark Hours, 2007
A stop motion animation about a mother's love, a singing moon and stars and the magic of being born. Short and sweet and made with felt!

Annie Novak & Alexis Powell are both member of the Meerkat Media Collective. Annie Novak is an artist, farmer, and adventurer who is teaching folks across the globe the importance of

9.14.2008

Eye Am Makers at Animalia September 19th 2008










"Animalia: Stories of Collapse, Calamity, and Departure" will feature the works of Eye AM filmmakers Kathy High, Penny Lane, Jessica Bardsley, The Meerkat Media Collective's Annie Novak & Alexis Powell, Dara Greenwald, Caroline Koebel, & Hilda Daniel. Exhibit starts at 5pm.
~ Curated by Victoria Kereszi.


For performance times and details, please visit
www.proctors.org and www.carolynrydercooley.com

5.16.2008

Eye Am Episode 18 July 6th 2008

Eye Am: Women Behind the Lens is a short film series showcasing women's memoir spanning across all genres of film and video.

EA airs @ 9:30-10:30pm the 1st Sunday of the month on...
Manhattan Neighborhood Network
Time Warner #34/ RCN #82 (in Manhattan)& Streaming Live Online at www.mnn.org (Worldwide)


Episode 18 Sunday July 6th 2008 9:30-10:30pm MNN.org/TWC 34/RCN 82 (in Manhattan)Worldwide at www.MNN.org

Featuring work by Vanessa Woods, Sarah Kriely, Emily DeGruchy, Judith van der Made. Victoria Kereszi, Sophia Peer, Kristi Ryba, Lili White, Penny Lane & Jessica Bardsley













Passing , 2007, 1:20 minutes
A short film that explores the idea of passing (passing time, passing histories, and passing away). To create the film, self-portrait photographs of the filmmaker taken in an abandoned home were used as a stage to re-inhabit and reinvent through single frame animation. Mark making, collage and sound engender a new history in the spaces of a vanishing home.

Filmmaker Biography:
Vanessa Woods graduated with an MFA in film, with honors, from the San Francisco Art Institute. Her artwork and films have been exhibited internationally and she has been the recipient of numerous awards including a Murphy and Cadogan Fellowship for Film from the San Francisco Arts Commission, a Film Arts Foundation Personal Works Grant, and the San Francisco Art Institutes's MFA Film Fellowship. She has also been awarded residencies at the Headland Center for the Arts, the MacDowell Colony and in Pont-Aven, France, through the Museum of Pont-Aven. Woods has produced eight films that have been broadcast nationally and screened internationally, including the Education Channel, the Centre International d'Art (France), The Anthology Film Archives (New York), the Oberhausen Film Festival (Germany) and San Francisco International Film Festival. Woods is currently working on several new films, including a feature-length documentary titled Mimita, (www.Mimita.com)) which follows a family of women raising their adopted child in Bronx, New York.
www.vanessawoods.com













Che Lake, 2007, 14 minutes
A visual soundscape of NYC and the places that exist close to our hearts.

Filmmaker Biography
Sarah Kriely













French Ladies, 2006, :40 seconds
Animated ladies dancing.

Filmmaker Biography
Emily DeGruchy
www.elimenop.com













Fitna (Feminin Chaos), 2006, 12:40 minutes
I am... who? Many... one. I dream free... imprisoned? A nightmare... reality alone.

Filmmaker Biography
Judith van der Made also known as Skills Ltd. Is a performance artist, video artist and musician residing in the Netherlands. After various studies (social studies, physical theater) she started making videos in 2000. It started out of frustration of not being able to put all ideas into live performance; discovering video as the the best thing that ever happened to her.
www.antenna.nl/barleyqueen













For My Country, 2007, 4:00 minutes
An experimental Super 8 found footage composition of American girls dancing, stripping, and boxing from the 50's re-mixed with sound by 'Miss Pocono Idol'.

Filmmaker Biography
Victoria Kereszi is an artist, photographer, documentary filmmaker, curator, community media organizer, and educator. For the past three years, Victoria worked at Manhattan Neighborhood Network, a flagship community media operation, where she began as the Youth Programming Coordinator and eventually became the Director of Programming. In addition to her own video and photographic pursuits, she is the founder and curator of Eye Am: Women Behind the Lens, a women's memoir television series and traveling festival. Victoria's arts and education work has taken her to Costa Rica and Cuba to work with youth to document their experiences of friendship and culture. In 2003, Victoria received her MA from NYU's Gallatin School with a concentration in Documentary Film and Gender Studies. She currently lives in Troy, New York where she is attending RPI's iEAR program in the Fall.
www.victoriakereszi.net













Turned On, 2006, 5:51 minutes
A teen couple's relationship comes to an electric conclusion in this video. A circuit of trials and tribulations leads them to plug into one another as a way to find an outlet for their curiosities. The anxiety and tenderness the two are experiencing is shown through odd pacing and colorful situations. They are fumbling in the dark trying to communicate and connect in a way that noth frightens and excites them. The strange language of attraction and intimacy creates a difficult situation for the couple as they explore themselves and each other.

Filmmaker Biography
Sophia Peer New York based video artists and filmmaker Sophia Peer was born in Queens, NY, in 1980. She received her BA from SUNY Purchase (2002) and her MFA from the School of Visual Arts . Her short narrative videos juxtapose the banal with the absurd. Whether urine and potato salad, mice and agoraphobics, senior citizens and Jane Fonda, or young love and audio equipment, the result converts anxiety and sadness into comedy. Peer irreverently pokes fun at the world and its quirks. Her fictional characters embody the surreal aspects of reality as she presents us with a very oblique sense of the ridiculousness in everyday life.
www.sophiapeer.com













Babydoll, 2006, 3:00 minutes
Using dolls, the embodiment of all that is female, to serve as standardized human forms, Ryba’s work examines cultural roles, relationships and common experiences such as growth, transition and change. Her primary interest lies in exploring the traditional gendered roles of women, principally motherhood and the domestic sphere. Drawing her ideas from personal experience and cultural influences, her focus is to question how in our society these gendered roles have become and remain so trivialized and devalued.

Filmmaker Biography
Kristi Ryba received her BA degree in painting and printmaking from the College of Charleston in Charleston, SC in 1989; and her M.F.A. in Visual Art degree from Vermont College in 2006. Since 2002, she has been making stop frame video animations that have expanded on the themes from her earlier paintings, prints and books. Her stop frame video animations have shown in New York, Atlanta, Boise, ID, Cranbrook MI, Greenville and Charleston, SC.
www.kristiryba.com















Providing Nourishment, 1996, 3:05 minutes
THE HOUSE OF THE GENTLE one of eight houses from the I Ching, an augury, also know as The Chinese Book of Changes; which describe sixty-four different but archetypal forms of energy. The “gentle” refers to the elemental nature of wind or wood: both are considered soft, yet they are penetrating forces.
In #27: Providing Nourishment, the I Ching advises to
“Pay heed to the providing of nourishment and to what a man seeks to fill his own mouth with.” The rose is the symbol of beauty, love and eternity.

Filmmaker Biography
Lili White has been exhibiting her works in solo and group shows in the United States and abroad since before moving to New York. In Philadelphia she received at B.F.A. from the University of Pennsylvania and graduated from the Pennsylvania Academy of Fine Arts with a four-year painting certificate. Her interest in the moving image and multimedia, lead her to perform, write, produce, direct several live multi-media pieces, each of which included the performance participation of over a dozen actors, poets and dancers. Upon the introduction of computer digital editing programs, she made several videos, that featured her gestural performances as well as others that were based upon poetry and documentary subjects. These are often seen as a continuation of her earlier Super 8 film work and lead to screenings at numerous cultural centers, including the American Museum of the Moving Image in Queens, the Museum of American Art in Philadelphia and The Newhouse Center in Staten Island, New York.
www.liliwhite.com













Faded Glamour Trailer, 2008, 5 minutes
A documentary about three eccentric women who have been producing their own television shows for cable access in Manhattan for the past 15-37 years. The piece is an attempt to challenge the stereotypes of women in the media, deconstruct the notion of celebrity, and define nostalgia.

Filmmaker Biography
Victoria Kereszi is an artist, photographer, documentary filmmaker, curator, community media organizer, and educator. For the past three years, Victoria worked at Manhattan Neighborhood Network, a flagship community media operation, where she began as the Youth Programming Coordinator and eventually became the Director of Programming. In addition to her own video and photographic pursuits, she is the founder and curator of Eye Am: Women Behind the Lens, a women's memoir television series and traveling festival. Victoria's arts and education work has taken her to Costa Rica and Cuba to work with youth to document their experiences of friendship and culture. In 2003, Victoria received her MA from NYU's Gallatin School with a concentration in Documentary Film and Gender Studies. She currently lives in Troy, New York where she is attending RPI's iEAR program in the Fall.
www.victoriakereszi.net













The Wren, 2007, 3:53 minutes
A little thing about certain qualities shared by Emily Dickinson and Troglodytes troglodytes (the winter wren). Made by two women on opposite coasts searching for elusive things.

Filmmaker Biography
Penny Lane is an independent filmmaker and video artist living in Troy, NY and Northampton, MA. Her collaborative and solo experimental, narrative and documentary videos have screened at AFI FEST, Int'l Film Festival Rotterdam, San Francisco Int'l Film Festival, Images Festival, Seattle Int'l Film Festival, Women in the Director's Chair, Santa Fe Art Institute, MOMA, and DUMBO Art Under the Bridge. Her award-winning documentaries The Abortion Diaries and Independent Media in a Time of War (the latter made with Hudson-Mohawk Indymedia) are regularly screened in classrooms, community centers and microcinemas across the U.S. and internationally on Free Speech TV and Yes! Television. The Abortion Diaries has screened in 40 states at over 170 different community venues, ranging from bars to art centers to clinics to colleges. From 2003-5 she was a core producer of the Hudson-Mohawk Independent Media Center, a group dedicated to challenging the assumptions of the mainstream media. She has also worked extensively with youth in community centers such as Children's Media Project and The Ark, Inc. She earned her MFA in Integrated Electronic Arts at Rensselaer Polytechnic Institute and her BA in American Culture at Vassar College. Currently she is a visiting assistant professor of video and new media at Hampshire College and is working on a documentary about a Depression-era madam.
And yes, that is her real name.
www.p-lane.com

Jessica Bardsley is a Cultural Studies major in her last year of college at New College of Florida. She likes feminism, Anne Carson, bike rides, blue whales, monsters, video, and hanging out with her friends.